The man loved to perform, the people loved the man, and seeing the two parties get what they want in Las Vegas at the turn of the ’70s makes for exhilarating cinema in 2026.
Arguably the greatest thrill of Jim Jarmusch’s latest film is seeing how much character detail and how many parallels the filmmaker can squeeze into these vignettes.
Olivia Wilde’s third effort as director is clearly her best in A24’s clever, subversive and thoughtful dramedy.
Bruce Willis manifests leading man status in this forgotten pre-“Die Hard” vehicle.
The scientific curiosity and wide-eyed wonder of the Spielberg’s early films return in a big summer movie contemplating our place in the universe.
This dopey ’70s Oscar winner makes separating the mild art from the vile artist more than a little difficult.
Paul Rudd makes for a great fit for John Carney’s distinctive brand of music-centric storytelling
Don’t let the weird title or your unfamiliarity scare you off: this is a lot of fun, even if you’re coming in cold.
The guy who wrote three “John Wick” and two “Nobody” movies isn’t going soft. Or evolving, unfortunately.
When the compelling main narrative eventually takes center stage, “The Chase” starts to sizzle.
It seems clear that video game fans, not film lovers, are the primary audience here.
Real criminal lawyers will bristle as “Suspect” chooses not to prioritize plausibility.
Lord and Miller’s big stroke of genius here is making a live-action movie that feels like an animated one.
A forgotten entry to the 1980s horror boom, Paul Golding’s “Pulse” returns to Blu-ray looking terrific.
If privileged aristocracy can enchant generations with elegant period production and an ensemble of romances and assorted arcs, can’t it also be skewered effectively?
“Bone Temple” deserves much more credit for being bold and different than it does for being good. But, hey, it’s January.
Everyone here is too good at what they do to fumble the bag, even when you start to question if the true story lends to dramatization.
The fourth and latest “SpongeBob” movie provides intermittent fun and enough wit to stay invested.
Despite a shortage of thrills and a void of laughs, “Coyotes” remains a watchable creature feature somehow.
The enthusiastic cast and proven crafts teams keep on keeping on and the quality of this production stays right around where the first one landed.
It’s easy to imagine this creative body horror movie engaging less with greener actors anchoring the relationship drama.
While not much to celebrate on a creative or cinematic level, this franchise-reviving threequel still manages to be big, dumb fun.
This mistimed sequel has enough charms and chuckles to hate seeing it met with a shrug.
The questionable creative choices pile up, but at the foundation is an agreeable message of seeing the good in one another, even those whom society has cast aside.
Like all of Lanthimos’ work, “Bugonia” is dark, bleak, and bitingly funny.
The finale flirts with excess, but it never dips below the satisfying standard set by six of the seven previous outings.
