Disney's Divinity wrote:
. It's one thing to replace him on TP&TF with Randy Newman FFS, put him on Tangled where the filmmakers obviously did not want a musical, banish him from the studio, and not send in anything from Galavant to get an Emmy, but forcing someone to intrude on a musical he created with Ashman 27 years ago crosses the line.
You say that as if Menken hadn't let someone "intrude" on Ashman's work already. There was definitely no way that Glen Slater could fill Howard Ashman's shoes, and so The Little Mermaid Broadway production got poor reviews for its score. It's easy to see why Disney would want to try someone else for the new movie, especially a person who is well-known by the public for writing clever lyrics (although I do have to admit that I really do like
Her Voice and see it as a definite positive addition to the story, that's the only standout good thing I really have to say about Glen Slater's lyrics for the stage production. Compared to Ashman's original work, Slater's generic lyrics fell flat. Anyways,
Hamilton's lyrics have impressed me far,
far more than anything Glen Slater's name is attached to.)
Also, if it isn't obvious, I do think that Miranda's involvement is good news, whatever his involvement may be. Of course Menken wasn't going to write the lyrics by himself, and he wouldn't bring Slater on just to rehash the Broadway production (or to force Slater to write completely new songs for moments that he already wrote songs for). Also, Alan Menken is 67 years old, yet he's nowhere near retirement since he's still getting lots of work from Disney and non-Disney companies alike. The man isn't a superhuman. It's not surprising to me that he would recruit a capable person to help co-write songs (not only lyrics, but score as well) with him.